From the lens of isiXhosa female writers: female protagonists and the use of non-conformity in challenging gender roles in the post liberation isixhosa literature
| dc.contributor.advisor | Mona, G V | en |
| dc.contributor.advisor | Spofana, D | en |
| dc.contributor.author | Zeleni, Olwethu | en |
| dc.date.accessioned | 2026-08-20T14:32:03Z | |
| dc.date.available | 2026-08-20T14:32:03Z | |
| dc.date.issued | 2022-01 | en |
| dc.description.abstract | This dissertation explored the way women are presented in five isiXhosa literary works by female writers in post independence South Africa, with particular focus on how non-conformity is used to challenge gender roles. The study analysed two novels entitled Iqhina lomtshato (1995) by Nomlamli Mayosi and Uzenzile akakhalelwa (2016) by Yolisa Madolo, as well as four drama books titled Nyana nank’unyoko (1997) by Yoliswa Taleni, Akwaba (2004) by Thenjiswa Ntwana, Hamba nam ndipheleke and Imida (2015) by Nompumezo Buzani. Structural, Afrocentrism and African feminism were used to guide the study. The structural theory gave the researcher to review language contructs in relation to gender, African feminism and Afrocentrism gave the researcher the lenses to view gender issues within the African context, in line with the peculiar challenges that women continue to face in the content. Another important factor which is the focus of the study is the depiction of women by female writers, in order to challenge the roles that are given to women. The question that one ask then is: How do female writers lend their voices to female characters to address gender issues in society, with particular focus on gender roles? This thesis argues that the five isiXhosa female writers, who are contemporary African women writers, have noticed gender related assumptions and in their works, they are making an attempt to debunk these assumptions. It is hoped that this study will contribute to the existing debates on gender and division of labour.,Thesis (MA) -- Faculty of Social Sciences and Humanities, 2022 | en |
| dc.format | computer | en |
| dc.format | online resource | en |
| dc.format | application/pdf | en |
| dc.format | 1 online resource (151 leaves) | en |
| dc.format | en | |
| dc.identifier.citation | Zeleni, Olwethu. 2022-01 | en |
| dc.identifier.other | vital:60915 | en |
| dc.identifier.other | http://hdl.handle.net/10353/23840 | en |
| dc.identifier.uri | http://hdl.handle.net/20.500.11837/5025 | |
| dc.language.iso | English | en |
| dc.publisher | University of Fort Hare | en |
| dc.publisher | Faculty of Social Sciences and Humanities | en |
| dc.rights | University of Fort Hare | en |
| dc.rights | All Rights Reserved | en |
| dc.rights | Open Access | en |
| dc.subject | Women in literature | en |
| dc.subject | Feminism and literature | en |
| dc.subject | Xhosa literature | en |
| dc.subject | Grahamstown (South Africa) | en |
| dc.subject | Eastern Cape (South Africa) | en |
| dc.subject | South Africa | en |
| dc.subject | History | en |
| dc.title | From the lens of isiXhosa female writers: female protagonists and the use of non-conformity in challenging gender roles in the post liberation isixhosa literature | en |
| dc.type | Master's theses | en |
| dc.type | text | en |